In addition to his Record Club and Planned Obsolescence (more here), he’s posted a great conversation with Tom Waits about growing up in LA in his Irrelevant Topics section.  That, in and of itself, is amazing — hearing two very strange characters wax nostalgic about what Los Angeles used to be (as well as generally philosophizing about the nature of existence.  as one might expect them to).

Not to be outdone by himself, Beck has also started recording an all-acoustic version of his sonically rich 2008 release, Modern Guilt (mastered by the mind-blowing Danger Mouse — about whom I should have posted something by now).  I think the deal is that he’s recording songs in order — track by track.  Be sure to check back often to catch the full album.  For now, here’s Orphans:

Modern Guilt Acoustic “Orphans” from Beck Hansen on Vimeo.

This week, he released a DJ Mix called Planned Obsolescence which is available for free streaming!  I’ve been listening to it to the past hour or so and it’s pretty funky.  Kind of reminiscent of Brainfreeze (which is in no way a dig) — but with Beck at the wheel instead of DJ Shadow and Cut Chemist.

Check it out!

Check out last night’s performance of the funk/soul/hip-hop single ‘How I Got Over’ from their new album, due out in October:

Thanks for the tip, stereogum.

Nope.

Partly because the 3 remaining shops around Christopher Street mostly seem to cater to vinyl lovers.  Partly because most of the other stores that would’ve carried the record are now gone.  There used to be about 12 of them in that area (and there are still 10 on Google maps) but their numbers seem to have dwindled to about 3.

It remains a question, in my mind at least, as to why this happened.  Was it the economy?  Was it the mega-stores (in which case, thank you Tower and Circuit City for driving these places out of business and then closing yourself)?  Or is it that selling CDs in a digital distribution age is a losing proposition (I feel like I’ve actually heard other people musing over this last one recently, but I can’t remember where)?

I certainly can’t say for sure, but the net result is that I didn’t get a copy of the CD I went out of my way to try to purchase today.

Sad for me. And I guess for all of us.  Because I’m now going to help perpetuate the problem by either buying online or getting it from one of the remaining annoying mega-outlet stores.  Assuming they carry it.  Which is probably about 50/50.

I guess I’m not saying anything profound today.  Just noticing that this might be a dying industry, and that I’ll miss it when it’s gone.

And thanks to NPR, you can get a first listen to the whole album HERE.

You know I like these guys.  I’ve blogged about them before. And I’ve definitely been waiting for this new album to come out (since I was not one of the lucky ones to get my hands on a leaked copy).

I definitely dig it.  It has a sound unlike anything I’ve heard.

Go ahead.  Give it a listen.

White People in Rap: A History

Man… that Amos Barshad is good!  Thanks Vulture!

UPDATE: For even more fun, check out the user-corrected amendment to the article, ‘It’s Raining White Rappers!‘

Read this: Results of the Inaugural Facebook Site Governance Vote

As always, the proof will be in the pudding.  But this sounds to me like FB is going to go with the majority of the 0.32% of active users that voted — and adopt the new user agreement (tossing out the Evil Terms of Service).

While there’s talk in the post about their disappointment at the low turnout, they do acknowledge this is a Faceboook First (as well as an internet first), and are considering lowering the 30% threshold necessary for any future vote to be binding.

First of all, I offer my non-binding, conditional apology to Facebook.  Maybe they’re actually interested in protecting their users’ rights after all.

Second, I still maintain this vote was not nearly as transparent as FB believes it was.  The language was confusing.  The voting period was too short.  And there should’ve been more user notification (eg. ‘Hey! You haven’t voted yet! Only one day left to vote!’) if they wanted this whole process to actually be more democratic.

Still, from the looks of it, at least their heart is in the right place…

I first learned about these guys (or this guy, I guess — it’s primarily the brainchild of musician Dave Longstreth) when they performed one of the most kick-ass Bjork covers on Stereogum’s ‘Enjoyed‘ (which you should definitely download now! if you haven’t already — they cover Hyperballad)

Their new single ‘Stillness is the Move‘ which they played at SXSW (to deafening applause, apparently) is really, really good.  If it’s any indication of how their upcoming release, Bitte Orca (5/5), is going to sound I think we’re in for some good stuff.

Download your own copy of Stillness is the Move from Stereogom
Read about Dirty Projectors on NPR
Stream Dirty Projectors’ full SXSW concert from NPR
Buy a ticket to their concert/collaboration with Bjork to benefit Housing Works
Read Stereogum’s rave review of Bitte Orca

and thanks Stereogum for the low down, and for tons of free tunes

But here he covers Pearl Jam’s ‘Why Go,’  and he’s pretty damn good:

I’ve gotta admit — I’m such a sucker for things like this.  I just came across 24 Unforgettable Advertisements yesterday and loved it (well… not so much the PETA one — keep scrolling down to Woodland Shoes and the McDonalds bus stop).  I really love it when people take familiar objects and make you look at them in a totally different way — even if it’s for the sake of an advertisement.

Thanks again, FFFFound.